Taylor Swift’s The Tortured Poets Department secures UK’s biggest opening week in seven years

Taylor Swift's chart success reaches unprecedented heights today.
taylor record breaker

Taylor Swift sees her superstar status soar to even greater heights today, as 11th studio album The Tortured Poets Department earns her an array of accolades. 

15 years after her debut UK chart appearance, Taylor proves she’s truly at the top of her game as she secures a 12th Number 1 on the Official Albums Chart.

New Official Charts Company data released today reveals Taylor has shifted a staggering 270,000 UK chart units in seven days – eclipsing her previous personal best of 204,000, when Midnights debuted atop the chart in 2022. But that’s just the start. 

The Tortured Poets Department surpasses Adele’s 30 to deliver biggest first week in seven years 

The Tortured Poets Department surpasses Adele’s 2021 release 30 to earn the UK’s biggest opening week in seven years. Taylor has 9,000 units on Adele’s first week figure, with 30 having managed 261,000 in seven days. 

The Tortured Poets Department now boasts the biggest opening week since Ed Sheeran’s 2017 blockbusting record ÷ (Divide), which logged 670,000 first-week UK chart units. 

Taylor matches Madonna’s all-time record 

With 12 Number 1 records now under her belt, Taylor Swift equals Madonna’s all-time UK Official Chart record; drawing level as the female artist with the most Number 1 albums in Official Albums Chart history. 

The Tortured Poets Department joins Red (2012), 1989 (2014), reputation (2017), Lover (2019), folklore (2020), evermore (2020), Fearless (Taylor’s Version) (2021), Red (Taylor’s Version) (2021), Midnights (2022) and Speak Now (Taylor’s Version) (2023) and 1989 (Taylor’s Version) in Taylor’s tally of consecutive chart-toppers. 

Taylor also draws level with Bruce Springsteen; with The Boss boasting 12 UK Number 1 LPs, too. 

Only four acts in chart history claim more UK chart-toppers: The Beatles (16), The Rolling Stones (14), Robbie Williams (14) and Elvis Presley (13). 

Taylor bags biggest opening week for an international act in 18 years 

In terms of international artists delivering huge releases in the UK, nobody has come as close to Scissor Sisters’ first-week figure of 288,000, achieved with their second studio album Ta-Dah! back in 2006. 

Taylor Swift outperforms The Beatles with the fastest accumulation of 12 Number 1 albums in Official Chart history 

No other artist has notched up 12 Number 1 albums in such a short space of time. Taylor Swift has done it in 11 years and 6 months, from Red in October 2012 to The Tortured Poets Department on 26 April 2024. This surpasses The Beatles who managed the feat in 14 years and 1 month between Please Please Me (May 1963) and The Beatles At Hollywood Bowl in June 1977. 

Taylor extends own record as the only artist to claim 12 Number 1 albums in the 21st century  

Taylor also extends her own record as the only artist to claim 12 Number 1 albums in the 21st century, all of which she has achieved consecutively; from her first UK Number 1 album 12 years ago, Red, in 2012, to The Tortured Poets Department in 2024. 

A third Official Chart Double for Taylor 

Soaring straight to the Official Singles Chart summit with Fortnight ft. Post Malone, Taylor also scores her third Official Chart Double. Previously, Taylor achieved the relatively rare feat with Midnights and its lead single Anti-Hero (2022) and 1989 (Taylor’s Version) and Is It Over Now? (Taylor’s Version) (2023). 

See every artist to score the Official Chart Double here.  

Fortnight becomes Taylor’s fourth Official Number 1 single in the UK, joining Look What You Made Me Do (2017), Anti-Hero (2022) and Is It Over Now? (Taylor’s Version) (2023). It also sees Post Malone bag his second UK chart-topper (and first in seven years), following 2017’s Rockstar with 21 Savage. 

Taylor further dominates this week’s Official Singles Chart, with title track The Tortured Poets Department (3) and Down Bad (4) making their Top 5 debuts. 

Recognising Taylor’s incredible achievements, Martin Talbot, Chief Executive, Official Charts Company says:  

“What a week for Taylor Swift! It is always fantastic news for the entire music sector to have an artist of Taylor’s calibre returning with new music – but the fact she has done so with such huge, record-breaking impact underlines again why we love music, and her, so much.  

“The list of her new records are almost too lengthy to list, suffice to say, this is truly Tay-Tay’s moment – and we are all here for it.” 

Official Chart Round-up 
 
Albums 

Pearl Jam secure their highest-charting UK album in 11 years on Dark Matter, debuting at Number 2, while British reggae group UB40’s 21st studio album UB45 enters at Number 5. Both LPs had vinyl variants exclusive to Record Store Day 2024, which took place last Saturday, April 20. 

Fleetwood Mac’s Rumours also saw the release of a brand-new picture disc exclusive to RSD, and therefore re-enters the Top 10 at Number 9. 

Bruce Springsteen’s Best Of Bruce Springsteen debuts at Number 15, gifting The Boss his 37th Top 40 album, Blur’s Parklife re-enters the Top 40 for the first time in 26 years (16), thanks to a re-issued 30th anniversary zoetrope vinyl exclusively for this year’s RSD event.  

Amy Winehouse’s Back to Black jumps back into the Top 20 for the first time since 2021 (17), while Pink Floyd’s magnum opus The Dark Side of the Moon blasts back into the Top 40 (21) following a new 50th anniversary collector's edition release, with crystal clear vinyl featuring a UV artwork print. 

Other Record Store Day exclusives impacting the Official Albums Chart today include; Orbital’s eponymous debut album reissued in a new 2LP variant (31), The 1975’s Live From Gorilla celebrating a decade of their influential self-titled debut album (32) and David Bowie’s Waiting In The Sky (Before the Starman Came to Earth) (39). 

Singles 

Queen of caffeine Sabrina Carpenter’s Espresso rises one to Number 5, becoming her first UK Top 5 single, the only track to rise inside this week’s Top 10 (and the most successful song about coffee in 24 years, since All Saints’ Black Coffee hit Number 1 in 2000).  

Continuing his upward trajectory, Mark Ambor’s Belong Together reaches another new peak this week, up one to Number 12. Will next week be the week the rising singer-songwriter finally breaks into the Top 10? 

Drake has courted controversy with the release of headline-grabbing diss track Push Ups, which debuts at Number 14, giving the Canadian superstar his 93rd (!) Top 40 single in the UK.  

US singer-songwriter Shaboozey earns his first career into the Official Singles Chart Top 40 with A Bar Song (Tipsy), up twenty-five to Number 16. The country artist has enjoyed a well-earned jump in recognition after being featured on Beyoncé’s chart-topping COWBOY CARTER.  

Rapper Lay Bankz’s Tell Ur Girlfriend jumps thirteen to Number 18, while Chappell Roan’s Good Luck, Babe! enjoys a rise of twelve to Number 21. 

And finally, Headie One’s Cry No More, a team-up with Stormzy and Tay Keith, debuts at Number 33. It becomes Headie’s 16th, Stormzy’s 31st and Tay Keith’s second UK Top 40 single.

Related artists

Join the conversation by joining the Official Charts community and dropping comment.

Already registered?

Log in

No account?

Register

T

Thomsy26

0

I have zero problem with new or old artists over taking records Madonna has held for decades, when they are achieved legitimately! But as with many acts desperate to 'top' legacy artists today, Taylor has done so by cheating. Re releasing the same album which essentially has been tweaked, is not only desperate, but its cheating. Madonna bagged her 12 number 1 albums legitimately! Take away Taylors 2 re released albums that already hit number 1, and she still sits below Kylie & Madonna. Its cheating. And if she were the force shes meant to be, why resort to such underhand tactics??? How can the same album claim a number 1 twice but count as 2 albums???? Her made up beef with her previous producer was the biggest scam of the past few decades in music and should not have been accepted, it was a desperate tactic in a bid to achieve more number 1's. Its all part and parcel of the same media machine desperate to manufacture a star bigger than Madonna who has remained the benchmark for over 40 years. 


Sorry but to me she will never achieve all Madonna has. Any artist who's forced to play dirty just to bag a number 1, is either desperate, or just not all that. Numbers mean nothing, Madonna's actual sales dwarf Taylors. And she cant cheat her way to topping that!

J

JK

-1

Hahaha the Pet Shop Boys singer was totally right, her is just an overhyped thing from her minions with no real longevity, what song is "Is It Over Now?", a number one that nobody listened at its time, even less now. 

With a scam of four re recorded albums that this page is counting as new hahaha so fake

C

Cyclonic

-1

The problem with this tally for female singers is that Madonna's tally includes the Evita soundtrack and its a cast album not a Madonna album. She's on less than three-quarters of the tracks, and even most of the tracks she is on are with other cast members. I'm not a fan of Swift, but she has the edge over Madonna here. And Swift managed this feat in half the time it took Madonna too.

avatar

sashabertold

0

The problem is Taylor re-releases her old albums as Taylors Version, bit fake if you ask me.

Maybe Madonna should do the same with all her albums?

The age of fakeness.

J

JK

-1

The problem is that you're counting four re-released albums as new, those are just a trick from her who's hungry for chart placement and she's just stealing from her fans.

And by the way, with the new way of counting the charts, this new album is just another trick, just a bunch of bad filler songs to make a "double album" that her minions listen and add up to "streams" that represent album sales but in reallity they're not.


So everything is fake about her and "her chart accomplishments"

T

Thomsy26

0

Have you done your research????Madonna sings on every track of THE version that hit number 1, 2 albums were released and the one released by Madonna/warner brothers hit number 1. Its 100% a Madonna album. Whitneys Bodyguard for example featured OTHER artists on over 50 % of the tracks relegating her as a guest on a soundtrack

avatar

danielwhiteley

-2

It seems like The Official Charts Company is manipulating their own data to inflate Taylor Swift's achievements... Let's look at the data in a different way: Taylor Swift has had 10 albums (plus 2 re-recorded albums) and 4 singles go to Number 1 over a period of 15 years (versus The Beatles' 11 studio albums, 1 live album and 17 singles in the same amount of years).

Taylor Swift's mode time at Number 1 is 1 solitary week per album, with her singles averaging 2 weeks each.

The Beatles achieved their first eleven Number 1 albums in a period of 7 years and 2 weeks. Those 11 albums were EVERY ONE of their studio albums. Every! Album! With a combined total of 163 weeks at Number 1 for their first 11 albums, this averages at almost 15 weeks at number per album. You can't compare the two artists with "first 12" as The Beatles only released 11 studio albums before breaking up! Their 12th Number 1 was an album of live tracks released over 7 years after the band broke up...

The 11 No.1 studio albums that The Beatles had between 1963 and 1970 contain 6 UK Number 1 singles (compared to Taylor Swift's 4)... oh, and they also had an additional eleven Number 1 singles during the period 1963 to 1969 that were stand-alone singles not on those albums!

Back in the 1960s even most hard-core Beatles fans were probably only purchasing one version of the album (not multiple copies like "Swifties" - there are 9 'regular' physical versions available at a high street entertainment retailer of her current album, and that isn't counting the 'special' versions that were available to preorder, signed limited editions, downloads and streaming!) making The Beatles' feat truly phenomenal.

Taylor Swift is only popular with her maniacal fans. Get back to me when she has accumulated more than 40 weeks at Number 1 in the album chart in ONE YEAR like The Beatles did in 1964! [nb: They achieved this with 3 consecutive studio albums. The other 12 weeks of the year were taken by The Rolling Stones self titled debut album].

To 'beat' The Beatles on the U.K. album chart Taylor Swift's next Number 1 album will have to have 145 weeks at Number 1!!! (The first 13 Beatles No.1 albums had a total of 165 weeks in the top spot). That isn't going to happen.


J

Julia

0

Yes I agree with you 100%

The Beatles as a group were not together very long and in that short space of time what they managed to achieve was surreal.

With the help of George Martin they changed the music industry and it's probably why the Beatles were voted the most influential music artist for the 20th Century.

Without The Beatles George Martin would not of achieved what he did and vice versa.

The Beatles were a complete group and seperately they all achieved great success so had they not split up goodness knows what else they would of achieved as a group and certainly many more #1 Albums and quality albums at that.


J

JK

-1

Not two but four re-recorded albums, an scam to steal money from her minions, and the official charts bend over her because they know her bullying tactics and how toxic is to say something negative about taylor and how the mob of her bully fans will attack


Just fake accomplishments, not even her current sales are truth, the double album is a tactic to get more streams that translate to sales

T

Thomsy26

-1

Are you surprised???? For some strange reason her management think buying headlines and press coverage, will somehow improve her credibility and chances of greater chart . Its exactly what Tommy Mattola did with Mariah Carey in the 90's, gave her airplay bias which of course, counts towards sales in the US, bizarre i know.


All this points to is a failing music industry. When artists have to buy media coverage and cheat more number 1's, you know its on its ! Promoting billions of streams as an achievement over sales is also laughable! When you look at Taylors actual album sales vs Madonna's... thats where the real winner becomes apparent. Madonna also did that in far less time

avatar

Piran

1

If you're calling them "the mob of her bully fans", then you're probably in the wrong kind of communities because most of her followers are not like that at all. 

avatar

Piran

4

Well done to Taylor on all these accomplishments, but 'Midnights' was definitely a stronger album for me. 

As for the singles, it's good to see 'Fortnight' at the top. The other two tracks that charted aren't bad, but they're definitely among the weakest songs from the first half of the album. 

T

Thomsy26

0

Accomplishments???Her management have scammed their way up the charts! Take away the 2 albums that hit number 1 a second time and shes on just 10 number 1 albums, or shall we count Madonna's albums that re peaked at number 1 as new albums???


if she was such a force, why resort to such scam tactics just to bag a chart placement??? Everyone can see it and its actually had the opposite effect, her credibility as a rival to Madonna is utterly tarnished. Its not about the artistry, its about numbers with her management. The antithesis of what a true star should be

avatar

Piran

1

The re-recordings aren't a scam by her management. She did them purely off her own back to regain ownership of her first six studio albums from her former record label. Any success that comes with that in the charts is much more down to public consumption rather than the team behind her, and there are several unreleased tracks on each of them anyway. 

Anyway, the latest release of hers is a brand new studio album. Even if you take out the digital and streaming units, she still had an astronomical lead on physical sales alone (yes, somebody made the point that there are several variants, but a majority of fans only bought one copy, or they got multiple ones on behalf of family members or friends). Combine that with her ongoing tour being the highest grossing of all-time already and the first one to surpass $1 billion when it hasn't even reached Europe yet, there's no doubt she's a culturally significant figure in music. 

Heck, I'm ambivalent on some of OCC's analysis too because you can't fairly nor accurately compare today's achievements to those of decades ago, but at least they're not using statistics to directly insult other fanbases like certain commenters have done here.